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In 'Unshelfmarked': Reconceiving the artists' book, Michael Hampton vets the medium's history, postulating a new timeline that challenges the orthodox view of the artists' book as a form largely peculiar to the twentieth century. "Post-Deweyed, these works form an entirely new corpus, showcasing the artists' book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, its epigenetic influence finally come to permeate mainstream book design everywhere; the manifold traits and studio processes inherent to the artists' book bursting from their stitched sheath, cheerfully pollinating the whole gamut of reading impedimenta and spaces." The book features fifty examples from the iconic to the obscure-accenting the codex's molecular structure rather than its customary role as a vehicle for text-a critical exposé of multiple types, plus an extensive select bibliography.

Book history --- artists' books [books] --- art history --- Art --- Artists' books --- 7.05 --- Kunstenaarsboeken --- Bibliofilie ; bijzondere publicaties --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Art, Modern --- Books --- Conceptual art --- History. --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- History

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museology --- Museology --- architecture [discipline] --- Architecture --- urbanization --- History as a science --- history [discipline] --- History of civilization --- Art --- Antwerp --- Antwerpen (stad) --- Anvers (ville) --- Musea --- Musées --- Historical museums --- -#VCV monografie 2001 --- 069 <493> --- 711 <493> --- Stedenbouw ; denken over --- Museumarchitectuur ; Antwerpen ; Museum aan de Stroom (MAS) --- Historische musea ; ontwikkeling --- Stedenbouw ; stedelijkheid ; geschiedenis ; musea --- Koning Boudewijnstichting ; uitgaven --- 711.4(A) --- geschiedenis --- musea --- steden --- History --- Museums --- Permanente tentoonstellingen. Musea--België --- Ruimtelijke ordening. Planologie. Stedebouw--België --- Stedenbouw. Ruimtelijke ordening ; denken over de stedenbouw --- Antwerp (Belgium) --- -History --- 711 <493> Ruimtelijke ordening. Planologie. Stedebouw--België --- 069 <493> Permanente tentoonstellingen. Musea--België --- Stedelijkheid --- Sociaal-cultureel werk --- #VCV monografie 2001 --- History museums --- History. --- Histoire --- Anvers (Belgique) --- Antwerpen

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kunstgeschiedenis --- History as a science --- Book history --- art history --- boeken --- books --- Art --- 7.03 --- 7.01 --- Kunsttheorie- en geschiedenis ; sleutelwerken --- Kunstgeschiedenis ; belangrijke kunsttheoretici ; kunstkenners --- Mâle, Emile --- Berenson, Bernard --- Wölfflin, Heinrich --- Fry, Roger --- Pevsner, Nikolaus --- Barr, Alfred H. --- Panofsky, Erwin --- Clark, Kenneth --- Gombrich, E.H. --- Greenberg, Clement --- Haskell, Francis --- Baxandall, Michael --- Clark, T.J. --- Alpers, Svetlana --- Krauss, Rosalind --- Belting, Hans --- Kunst (geschiedenis) --- Kunstgeschiedenis --- Kunst (theorie) --- Kunsttheorie --- Kunstkritiek --- Kunst (kritiek) --- Kunst ; theorie, filosofie, esthetica --- Art historians --- Historiography. --- History. --- Barr, Alfred H --- Gombrich, E.H --- Clark, T.J

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History --- art history --- art [fine art] --- Surrealist --- Art styles --- Art --- anno 1930-1939 --- anno 1900-1999 --- anno 1920-1929 --- Painting --- Surrealism --- Arts, Modern --- Surréalisme --- Arts --- kunst --- twintigste eeuw --- surrealisme --- 7.037 --- -Modern arts --- Superrealism --- Surrealism in art --- Surrealism. --- -Arts, Modern --- -Superrealism --- Modern arts --- Surréalisme --- Arts, Modern - 20th century --- art [discipline]

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"In this important new survey, Catherine Wood proposes performance not as a genre of art separate from object-making but as an attitude that has infiltrated the entire terrain of contemporary art. From the musical-theatricals of Marvin-Gaye Chetwynd to the public encounters created by Tino Seghal and the social activism of Tania Bruguera, a hugely divergent set of practices has emerged in the past twenty to thirty years which embrace the worlds of sculpture and painting, spectacle and protest. Examining in turn individual, social and object-based approaches in the field, Wood first examines the influential performance art of the 1960s to 1980s: the body art of the Viennese actionists; the raw performances of Yoko Ono and Chris Burden; and the experiments of the Japanese Gutai group among others. She then explores how these sources have been revisited, reformed or rejected by contemporary artists in the twenty-first century. This impressive book encompasses international artists who fall outside the traditional European and North American focus, giving the reader the broadest and most up-to-date insight into the subject yet published."--Amazon.com.

Kunst --- performances [live] --- levende sculptuur --- Performance art. --- Performance art --- History. --- Performance artists --- Artists and theater --- Arts, Modern --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- lichamelijkheid --- 7.038/039 --- activisme --- kunst en politiek --- performances --- Artists and the theater --- Theater and artists --- Theater --- Artists --- Happenings (Art) --- Performing arts --- History --- Artists and theater. --- Arts, Modern. --- Performance artists. --- 1900-2099. --- Art --- performance art --- living sculpture